Midtown 120 Blues (Comatonse) By Kevin Ritchie. The commodification of dance music subculture is an ongoing trend, but the rise of aggro rave beats. Oct 09, 2008 So goes part of the two-minute monologue that opens DJ Sprinkles' album-length paean to early-‘90s deep house, Midtown 120 Blues. Sprinkles, an alias of multi-media producer and computer musician Terre Thaemlitz, is probably not a name that's familiar to most house heads; and with good reason, Thaemlitz's own relationship to the genre can.
Terre Thaemlitz has re-issued her 2009 record exclusively on CD format. Ntfs and exfat for mac.
The self-released album on Comatonse Recordings is custom packaged in oversize soft-PVC wallet, with fold-out booklet/poster and assembled by Terre herself. The audio on the 2014 reissue is identical to the 2008 first edition and following represses on Mule Musiq. There are no plans for a vinyl edition. According to Terre the bass spatialisation effects that give many of these recordings their sonic character are incompatible with vinyl mastering techniques.
Dj Sprinkles Midtown 120 Blues Rare
Midtown 120 Blues is largely a continuation of Sloppy 42nds: A Tribute to the 42nd Street Transsexual Clubs Destroyed by Walt Disney's Buyout of Times Square, the first EP released under Terre's DJ Sprinkles name. She seems to approach the themes present with an element of pessimism, not something common in house.
Dj Sprinkles Midtown 120 Blues Rar Online
App store cracked for mac. Terre said in a statement, 'Vinyl mastering requires deep bass to essentially be in mono to prevent needles from jumping, which prohibits effects that spatialize using phasing (having elements of channels out of phase, so if combined to mono the sounds disappear as a result of the inverted – i.e. out of phase – waveforms canceling each other out).'
'How out-of-phase waveforms affect each other in physical space is sonically quite different than how they would cancel each other in recordings, and of course headphones eliminate any cancellation completely, so the album's sound can change significantly depending on the listening space and context. This was all deliberate, both in relation to the theme of 'house as a situation,' as well as a way of 'contemporizing' the album's sound to something that could only be possible in the digital age.
'It also makes the album a bit club-unfriendly, since many club sound systems run the bass frequencies in mono as well… which is why I am sure some DJ's have noticed the album sounds like shit in some clubs. Clubs that run their bass in mono make for crap listening environments and reap what they sow in terms of sound quality.'
Midtown 120 Blues in now available to buy on CD here. Mp4 video converter for mac free.
Dj Sprinkles Midtown 120 Blues Rar Chicago
The self-released album on Comatonse Recordings is custom packaged in oversize soft-PVC wallet, with fold-out booklet/poster and assembled by Terre herself. The audio on the 2014 reissue is identical to the 2008 first edition and following represses on Mule Musiq. There are no plans for a vinyl edition. According to Terre the bass spatialisation effects that give many of these recordings their sonic character are incompatible with vinyl mastering techniques.
Dj Sprinkles Midtown 120 Blues Rare
Midtown 120 Blues is largely a continuation of Sloppy 42nds: A Tribute to the 42nd Street Transsexual Clubs Destroyed by Walt Disney's Buyout of Times Square, the first EP released under Terre's DJ Sprinkles name. She seems to approach the themes present with an element of pessimism, not something common in house.
Dj Sprinkles Midtown 120 Blues Rar Online
App store cracked for mac. Terre said in a statement, 'Vinyl mastering requires deep bass to essentially be in mono to prevent needles from jumping, which prohibits effects that spatialize using phasing (having elements of channels out of phase, so if combined to mono the sounds disappear as a result of the inverted – i.e. out of phase – waveforms canceling each other out).'
'How out-of-phase waveforms affect each other in physical space is sonically quite different than how they would cancel each other in recordings, and of course headphones eliminate any cancellation completely, so the album's sound can change significantly depending on the listening space and context. This was all deliberate, both in relation to the theme of 'house as a situation,' as well as a way of 'contemporizing' the album's sound to something that could only be possible in the digital age.
'It also makes the album a bit club-unfriendly, since many club sound systems run the bass frequencies in mono as well… which is why I am sure some DJ's have noticed the album sounds like shit in some clubs. Clubs that run their bass in mono make for crap listening environments and reap what they sow in terms of sound quality.'
Midtown 120 Blues in now available to buy on CD here. Mp4 video converter for mac free.
Dj Sprinkles Midtown 120 Blues Rar Chicago
Dj Sprinkles Midtown 120 Blues Rar 2017
DJ Sprinkles will play an four-hour set for Thunder's takeover of the 200 capacity Dance Tunnel venue in Dalston, London on Friday July 11th. Tickets and more information here.